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Audio CD review:
Please note that the below review is the views of the authors, and authors only. You can get a complete list of all Accept reviews here, or go back to the Accept tabs.
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| Accept - Breaker |
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Band: Accept Title: Breaker Rating: Release Date: 2001-08-21 Media: Audio CD Tracks: 1: Starlight 2: Breaker - Accept, Baltes, Peter 3: Run If You Can 4: Can't Stand the Night 5: Son of a Bitch 6: Burning 7: Feelings - Accept, Baltes, Peter 8: Midnight Highway 9: Breaking Up Again 10: Down and Out |
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The beging of their Greatness I feel that this was where the classic Accept sound really started to develope. BREAKER (1981) Thier first two albums i thought were pretty basic sounding with no real meat to them, but their third album BREAKER had a ton of really powerful and heavy tunes. Songs like STARLIGHT, BREAKER, RUN IF YOU CAN, MIDNIGHT HIGHWAY and DOWN AND OUT all have that classic accept "crunch" courtesty of MR Woff Hoffmann. This is really heavy music for 1981, with the exeption of Iron Maiden's KILLERS album and Venom's WELCOME TO HELL (also released in 81), there was nothing really this agressive or crunchie back then. this came out in the pre-thrash pre-death pre-black metal days when you had bands like Judas Preist,the Scorpions,Def-lepard,Riot,Ozzy Osbourne, Rainbow and Dio-Sabbath were playing polished, streamlined metal, so for it's time, this was very raw. Other songs here are the offensive "SON OF A BITCH", the rock n roller "BURNING" and the beautiful love ballad "BREAKING UP AGAIN" which is sung by Peter Baltes. Ofcourse many might find Udo's razor screeches and gutteral growls to be painful to listen to, which has always been a love/hate relationship with him for many listeners. This Hint's at Accepts rise to the metal mountain, because after this they would release "RESTLESS AND WILD", arguable the greatest metal album made, and follow that up with the classics "BALLS TO THE WALL" AND "METAL HEART". BREAKER is a great album so what else can i say? an important album from one of Germanys finest musical ensambles. .
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