| Fretplay : Jeffrey Glenn, Glenn Branca, Glenn Branca, Al Arthur, David Linton, Stephan Wischerth, Barbara Ess, Craig Bromberg, Lee Ranaldo, Robert Harrison [guitars] tabs : CD reviews : Symphony No. 2 (The Peak of the Sacred) | Search or browse tablatures: | |||
Audio CD review:
Please note that the below review is the views of the authors, and authors only. You can get a complete list of all Jeffrey Glenn, Glenn Branca, Glenn Branca, Al Arthur, David Linton, Stephan Wischerth, Barbara Ess, Craig Bromberg, Lee Ranaldo, Robert Harrison [guitars] reviews here, or go back to the Jeffrey Glenn, Glenn Branca, Glenn Branca, Al Arthur, David Linton, Stephan Wischerth, Barbara Ess, Craig Bromberg, Lee Ranaldo, Robert Harrison [guitars] tabs.
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| Jeffrey Glenn, Glenn Branca, Glenn Branca, Al Arthur, David Linton, Stephan Wischerth, Barbara Ess, Craig Bromberg, Lee Ranaldo, Robert Harrison [guitars] - Symphony No. 2 (The Peak of the Sacred) |
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Band: Jeffrey Glenn, Glenn Branca, Glenn Branca, Al Arthur, David Linton, Stephan Wischerth, Barbara Ess, Craig Bromberg, Lee Ranaldo, Robert Harrison [guitars] Title: Symphony No. 2 (The Peak of the Sacred) Rating: Release Date: 14 September, 1992 Media: Audio CD Tracks: 1: Symphony No. 2: First Movement - Slow Mass 2: Symphony No. 2: Second Movement - Radioactive Poltergeist Kitchen 1955 3: Symphony No. 2: Third Movement - Melodrama And Nuclear Physics In The Global Theater 4: Symphony No. 2: Fourth Movement - Sacred Field 5: Symphony No. 2: Fifth Movement - In The Late 20th Century The Impossible Becomes Possible (Short Excerpt) |
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Customer Reviews Sonic Megalith I've heard of him for years, but never listened to it until this work, and I'm glad I did. This Cd has been my introduction to the music of Glenn Branca. Branca creates, not so much a symphony, as a megalith, a mountain of sonic texture. Branca's early symphonies are based on ensembles of electric guitars tuned in just intonation, accompanied by percussion, in this case Z'ev, who provides a rhythmic assault the match the work of the 10 guitarists in the work. The sound is massive and loud. . . but not ear splitting. La Monte Young, (who I think is a clear influence on Branca) believed that loud sounds in Just Intonation would not be detrimental to the ear, as much rock music is. I think Branca's music tests this hypothesis and suggests that it is right (as does Young's own cd Just Stompin' which is sadly out of print. ) The sound resembles things that might have been done by Reich or Glass; it is minimalism, but at a slower pace and with greater sonic force. This is music that needs to be experienced, not thought about. Put it on, turn up the volume, turn out the lights and let the sound wash over you. It's remarkable.
Symphony of a Thousand Peaks
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