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Audio Cassette review:
Please note that the below review is the views of the authors, and authors only. You can get a complete list of all Ronnie Earl & the Broadcasters reviews here, or go back to the Ronnie Earl & the Broadcasters tabs.
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| Ronnie Earl & the Broadcasters - Language of the Soul |
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Band: Ronnie Earl & the Broadcasters Title: Language of the Soul Rating: Release Date: 11 October, 1994 Media: Audio Cassette Tracks: 1: Eddie's Gospel Groove 2: Beautiful Child 3: Indigo Burrell 4: Blues for Martin Luther King 5: Harvard Square Stomp 6: Barcelona Morning 7: I Am With You 8: Green Light 9: Through Floods and Storms 10: Blue Guitar 11: Bill's Blues |
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Customer Reviews Great Instrumental Blues Album And this is one of Ronnie's better albums (they are all good). Ronnie Earl, formerly of Room Full of Blues, is one of the great blues guitarist out there today. The album is a set of all instruments and has a great feel to it. The mood of the album is greatly enhanced with some excellent B3 organ playing. There are combination of slow and fast blues and I especially enjoy the rocking openning cut. Colour of Love is also excellent album by Ronnie with some guest stars and has some vocal tracks. For any blues fan you will not be disappointed with this album.
Excellent Instrumental Blues The opening track, "Eddie's Gospel Groove", is a fast-paced, uptempo blues number, and Mr. Earl quickly and firmly establishes his considerable musical virtuosity. While the rest of the songs on the CD aren't quite so uptempo, all of them feature great guitar work and Hammond B3 organ accompaniment (Bruce Katz is handles the ivories for the Broadcasters, which also consist of Rod Carey on bass and Per Hanson on drums). Almost all the songs feature electric guitar, though the last number, "Bill's Blues", is an acoustic performance. On "Through Floods and Storms" there are saxophones as well (Paul Ahlstrand and Kevin Watson) and on "Blue Guitar", Mr. Earl gets some additional guitar work from Adrienne Hayes and Eddie O'Brien. All musicians handle their chores in fine fashion, but the focus of this all-instrumental CD (despite a brief two-line vocal intro on "I Am with You") is Mr. Earl's unsurpassed abilities. While primarily a blues CD, on many songs there is an additional layering of jazz and even gospel, which elevates the CD above the ranks of just another great blues CD (not that there would've been anything wrong with that). The mix of jazz is actually appropriate, given the historically close relationship the blues and jazz have had in America. A CD like this reassures the faithful fans of the blues that while the music idiom may not be the commercial powerhouse that top-40 pop and hip-hop are, the music is in the hands of some fine musicians and songwriters (Mr. Earl wrote or co-wrote all but one of the songs on this) and has a viable future indeed.
An excellent blues album
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