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Audio CD review:
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| Jonathan and Darlene Edwards - Jonathan and Darlene's Greatest Hits Volume II |
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Band: Jonathan and Darlene Edwards Title: Jonathan and Darlene's Greatest Hits Volume II Rating: Release Date: 1994-02-22 Media: Audio CD Tracks: 1: Cocktails for Two - Jonathan Edwards, Coslow, Sam 2: Tiptoe Through the Tulips With Me - Jonathan Edwards, Burke, Joe [2] 3: Ain't Misbehavin' - Jonathan Edwards, Brooks, Harry 4: The Object of My Affections - Jonathan Edwards, Greer 5: Five Foot Two, Eyes of Blue (Has Anybody Seen My Girl) - Jonathan Edwards, Henderson, Ray 6: Sophisticated Lady - Jonathan Edwards, Ellington, Duke 7: Play a Simple Melody - Jonathan Edwards, Berlin, Irving 8: I'm Beginning to See the Light - Jonathan Edwards, Ellington, Duke 9: For Me and My Gal - Jonathan Edwards, Goetz, Ray 10: La Vie en Rose - Jonathan Edwards, David, Mack 11: Pretty Baby - Jonathan Edwards, Jackson, Tony [1] 12: Paris in the Spring - Jonathan Edwards, Gordon, Mack 13: That Certain Party - Jonathan Edwards, Donaldson, Walter 14: It's Magic - Jonathan Edwards, Cahn, Sammy |
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The Edwards Strike Again (but keep looking for Volume I) Stafford herself assembled these compilations late in her career out of materials from the three albums the Edwards recorded in the '50s, '60s, and '70s. I'm giving this one a "resentful" five stars because I see that Volume One is currently out of print, practically forcing the consumer to purchase Volume Two. Volume 2 has a couple of additional tracks and songs that will be more familiar to those familiar with the American Songbook. But nothing is quite as funny as "Take the A Train" or the Bee Gees' "Stayin' Alive" from Volume One. (Some of the comedy of "Tiptoe Through the Tulips," from Volume Two, has been undermined by Tiny Tim's later version of the tune. ) As musical send-ups these tracks surpass Spike Jones and P. D. Q. Bach (easily), Lillian Russell, Florence Foster Jenkins and Mrs. Miller (not as decisively), and even Victor Borge (he's still hilarious if you can get in stride with his Jack Benny-like sense of slowly evolving performance). After all of the sentimental ephemera that Stafford ground out (with numerous exceptions, such as her signature recording of "Haunted Heart"), the Darlene Edwards performances certainly amount to a sort of atonement, as impressive musically (it's not easy to sing intentionally a quarter-tone off pitch) as they are downright fun and funny. Musicians, or those familiar with the Great American Songbook, and those who have attended numerous recitals (some professional but pretentious, others simply amateurish and ghastly) will appreciate these tracks more than other listeners. But best to buy these for your own enjoyment. (There's nothing worse than playing them for acquaintances who don't get the joke or who pretend they do when they realize it's supposed to be funny. ).
I have played this recording at various parties just to see who notices the sour notes and rythmic blunders. If you're somebody who appreciates parody and you aren't tone deaf - you are sure to like this silliness (and, be sure, it rates HIGHLY on the Silly Scale). If you don't meet the above suggestions. . . then don't waste your time. ps. it's A LOT more entertaining after a drink or two.
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