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Audio CD review:
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| Eurythmics - 1984 (For the Love of Big Brother) |
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Band: Eurythmics Title: 1984 (For the Love of Big Brother) Rating: Release Date: 1989-04-10 Media: Audio CD Tracks: 1: I Did It Just The Same 2: Sexcrime 3: For The Love Of Big Brother 4: Winston'S Diary 5: Greetings From A Dead Man 6: Julia 7: Doubleplusgood 8: Ministry Of Love 9: Room 101 |
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Chilly, wonderful amazon. Watch Video Here: http://www. amazon. com/review/R11A4A9UOYCZGI My name is Jeremy Gloff. I am a musician (check me out on Amazon!) and retro music enthusiast. If you enjoyed this review make sure to check out my Amazon user profile to check out my other reviews. I am always up for making new friends and discussing the music I love!!!.
If you buy one album this year, make it this one.
This album is incredible ! It predates all of the techno/electronica (hate these terms) that came out in the 90's. A precursor to all of it. (ex. the repetitive DoublePlusGood, is similar to the repetition of lyrics we find in techno. ) The Eurythmics were ahead of their times with this one. At times the album is meditative. At times its . . . very energetically moving . . . difficult to describe. I dont want to say that it is music that you would neccessarily dance to, but it would certainly trance your head. Another comment. If people say that this album is a precursor to Industrial, I dont see how. Its got way too much life. Industrial can be like cold steel at times.
The Eurythmics abandon their normal format to venture into the realm of the concept album. They concentrate on the theme of Orwell's story, deviating only for an instant with "Sexcrime" which was clearly designed to grab airtime. A thread of constant paranoia invades the album, and it stays true to Orwell's claustrophobic portrayal of a society bent upon absolute totalitarian control. I especially felt that "DoublePlusGood" and "Room101" accomplished this very well. In fact, "DoublePlusGood's" rapid fire newscaster distillation of issues to simple "Goods, Bads, PlusGoods," etc, building to an almost orgasmicly cheerful ending of repeated "Good, Good DoublePlusGood," was delivered with the same cheer and artificiality as Seattle's "King 5 News", which made me wonder exactly how deep the connection ran. I really enjoyed the album, because I felt that the Eurythmics really pushed themselves with this. I think it is tragic that the most innovative work by the band is relegated to relative obscurity. More artists should be given the freedom to innovate, then we wouldn't have so many cookie cutter groups that all sound as if they were pressed in plastic on some sound stage in Burbank.
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