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Audio CD review:
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| Fairport Convention - Over the Next Hill |
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Band: Fairport Convention Title: Over the Next Hill Rating: Release Date: 2004-09-14 Media: Audio CD Tracks: 1: Over the Next Hill - Fairport Convention, Tilston, Steve 2: I'm Already There - Fairport Convention, Leslie, Chris 3: Wait for the Tide to Come In - Fairport Convention, Bennion, Ben 4: Canny Capers - Fairport Convention, Sanders, Ric 5: Over the Falls - Fairport Convention, Leslie, Chris 6: The Wassail Song - Fairport Convention, Traditional 7: The Fossil Hunter - Fairport Convention, Leslie, Chris 8: Willow Creek - Fairport Convention, Tiltson, Steve 9: Westward - Fairport Convention, Matthews, Julie 10: Some Special Place - Fairport Convention, Sanders, Ric 11: Si Tu Dois Partir - Fairport Convention, Dylan, Bob |
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'BRIGHT AND BREEZY' CONTEMPORARY FOLK-POP/FOLK-ROCK Having realized, more recently, that the band were still going strong, I thought I needed to do some catching up. The last FC album I bought (30-odd years ago) was 'Liege and Lief' - I lost interest after this. Reviewer comments and music samples are always helpful when deciding what to choose, but you can never be absolutely certain about what to expect - with 'Over the Next Hill', I was pleasantly surprised. Gone are the somewhat grim mediaeval fables and victorian tales which featured on 'Liege and Lief, to be replaced with contemporary songs of a more easy going nature (only one track is 'trad. arr. '). It's an album that 'lilts' rather than 'rocks' - but Dave Pegg and Gerry Conway still make their presence felt on most tracks. Two of the tracks are instrumentals - vehicles for Ric Sanders' versatile violin playing. Whilst the style of Dave Swarbrick is rooted firmly in the traditional music of Great Britain and Ireland, Ric Sanders imbues his playing with a blend of traditional folk, jazz and classical influences. Simon Nicol plays acoustic and electric guitars, and Chris Leslie provides most of the lead vocals (he also plays an assortment of stringed instruments and flute). The album contains many fine songs - each incorporates either a change of melody, tempo or meter (a few comprise all of these changes), and the lyrics are interesting (occasionally, a bit 'strange'). Only 'Westward' makes me reach for the skip button (but this is, by no means, a poor song - I just find it less appealing than the others). I'd describe the overall sound/mood of the album as 'cosy' - but this is offset by the 'tight' percussion of Gerry Conway and the strong bass playing of Dave Pegg. 'Wait For the Tide to Come In' and 'Si Tu Dois Partir' both have a little more edge than other songs, and the instrumental 'Some Special Place' has classical leanings. Some comments about selected tracks : OVER THE NEXT HILL (Steve Tilston) - A joyful sounding song with three tempo changes, it features much fine fiddle and mandolin playing. Some passages have a distinct 'skipping' lilt - conjuring up images of Morris dancers in an English country setting (but I haven't yet figured out how the references to 'kangaroos' and 'dingo' fit in with this). WAIT FOR THE TIDE TO COME IN (Ben Bennion) - The first note you hear is an emphatic drum beat, followed by others and pulsating bass guitar - you soon know that this one is going to rock (even though it's a mid-tempo song); also includes a couple of short electric guitar solos. Chris Leslie takes the lead vocals (I thought, higher up the scale, sounding a little like Iain Matthews). THE WASSAIL SONG (Trad. arr. Fairport) - An up-tempo festive song which is usually associated with Christmas, but one which is also relevant for any occasion which serves as a suitable excuse for consuming large quantities of alcohol. Great song with great vocals, ending with a half minute 'rock 'n' reel' instrumental. THE FOSSIL HUNTER (Chris Leslie) - A slow to medium tempo song which sounds a bit 'twee' (but in a pleasant folksy sort of way). The chorus includes the line 'she sells shells upon the seashore' (a slight variant of the more common 'she sells sea shells on the seashore') - but if you are tempted to join in, it's best not to have imbibed (too much) beforehand. WILLOW CREEK (Steve Tilston and Chris Parkinson) - Quite an unusual rhythm - a sort of 'folksy bossa nova'?; Gerry Conway presents us with a rich variety of percussive sounds - it would seem, not only hitting the skins with some venom, but also assailing almost anything else within striking distance. SI TU DOIS PARTIR (Bob Dylan) - A fairly faithful re-make of the original. The French lyrics, fiddle and accordion all ensure that the song still retains it's slight Zydeco flavour. Aptly, at around 3:50 into the track, you get a 40 second burst of 'Auld Lang Syne' (a nice touch with which to end the album). 'Liege and Lief' is easily a 5-star album; 'Over the Next Hill' isn't 'up there' with it, but it's a fine album nevertheless - 4. 5-stars. I now have the daunting, but pleasant chore, of deciding which of FC's other albums to buy next. .
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