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Audio CD review:
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| Fleetwood Mac - Heroes Are Hard to Find |
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Band: Fleetwood Mac Title: Heroes Are Hard to Find Rating: Release Date: 1990-10-25 Media: Audio CD Tracks: 1: Heroes Are Hard to Find - Fleetwood Mac, McVie, Christine 2: Coming Home - Fleetwood Mac, James, Elmore 3: Angel - Fleetwood Mac, Welch, Bob 4: Bermuda Triangle - Fleetwood Mac, Welch, Bob 5: Come a Little Bit Closer - Fleetwood Mac, McVie, Christine 6: She's Changing Me - Fleetwood Mac, Welch, Bob 7: Bad Loser - Fleetwood Mac, McVie, Christine 8: Silver Heels - Fleetwood Mac, Welch, Bob 9: Prove Your Love - Fleetwood Mac, McVie, Christine 10: Born Enchanter - Fleetwood Mac, Welch, Bob 11: Safe Harbour - Fleetwood Mac, Welch, Bob |
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HEROES ARE HARD TO FIND (REPRISE RECORDS/1974) But this aural "heaviness" adds a depth to the music that encapsulates his otherworldly vision more so than any other Mac album. REVIEW: Although enlivened with some sloppy horns and a whisper of orchestration: the dark, mysterious underpinnings of "HEROES ARE HARD TO FIND" bears the unmistakable stamp of guitarist Bob Welch. That's not to say "HEROES" is all menace and no fun: the sly humor of "Silver Heels", the gentle coda "Safe Harbour", and the rollicking title track helps to alleviate the somber atmosphere while keeping an eye on the American pop charts. It's unfortunate that this was to be Welch's last recording with the group, but he does go out on a high note by showcasing the full range of his songwriting capabilities. No matter it it's country-tinged rock ("Silver Heels"), melodic pop ("She's Changing Me"), heavy metal ("Angel"), excursions into the supernatural ("Bermuda Triangle" and the haunting "Coming Home" in which he apes Jimi Hendrix a la "Third Stone From The Sun" - a move that makes it my favorite track), or a stab at soulful jazz (the superb musical interplay on "Born Enchanter"): almost everything he does works extremely well in the atmospheric context of this LP. Even Christine McVie's composing seems to be infected with Welch's mysterioso sensibilities: as the cool textures of "Prove Your Love"; the dark, pounding venom of "Bad Loser"; and the sweeping "Come A Little Bit Closer" (the latter sounding a bit like a Jim Steinman composition without all of Steinman's overblown lyrical pomposities) are of a piece with Welch's cryptic musings. "HEROES ARE HARD TO FIND" remains an obscure gem in the Mac canon (albeit one that deserves a lot more recognition and praise than it has gotten). And even though it did make the Top Forty album chart: it's a downright shame that "Come A Little Bit Closer", "Angel", and the title track weren't hit singles. But perhaps sure-fire success wouldn't have prompted Bob Welch to quit, and thus the future potential of guitarist Lindsey Buckingham and vocalist Stevie Nicks may have never been fully realized. HARSH LANGUAGE: none. VIOLENCE: only the tragic loss of life mentioned in "Bermuda Triangle", and the aural weirdness of "Coming Home". SEXUAL REFERENCES: none in particular - only the ins-and-outs of romantic love. Although some might be taken aback by the semi-nude cover photo shot even though it is certainly not meant to cause any offense in its illustration of the record's title. NOTES FROM A CHRISTIAN PERSPECTIVE: I really like this album even though it takes a few listens before it grows on you. Welch has always been an unsung composer and guitarist, and Christine McVie's continued vitality as a songwriter and performer has really grown since "Morning Rain" (from "FUTURE GAMES"), and her few self-penned contributions to her first solo album. But regardless: "HEROES ARE HARD TO FIND" contains no foul language and no offensive references to violence or casual sex (although "Born Enchanter" talks about Welch's ease with the ladies, and his "looking for the faith I lost"). As such the only thing that might turn some heads is the album cover, but (as stated above) the intent was not to offend. Besides that: it IS a striking photo! In that regards I see no reason why the LP shouldn't get a mild ACCEPTABLE rating from a Christian perspective. HIGHEST BILLBOARD ALBUM CHART POSITION: Number 34 HIT SINGLES: none.
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