The Hag at the Top of his Game
This is the real Bakersfield sound,the type of country music I love and listen to. FINALLY,Capitol released these early recordings of Merle Haggard and the Strangers. The best way to describe this distinctive sound which stands aside from the rest is the lead guitar played by none other than Roy Nichols(they call it chicken pickin'. )also don't forget the gut-wrenching winding steel from Norm Hamlet. In the sixties,Merle haggard and Buck Owens(can't forget Buck. )were always head to head competing with each other,Haggard eventually married Owen's wife Bonnie Owens. (a little trivia. )Branded man/Lonesome fugitive two of the Hag's early records make up a pretty good compilation, the best of the four I own in my collection. The others titled,Bonnie and Clyde/Sing Me Back Home,Pride in What I Am/Mama Tried,Strangers /Swingin'Doors,Haggard's first and second record's,Swingin'Doors, the best of all the early recording's. Make no mistake this is Merle Haggard at the top of his game.
The Best Introduction to Merle!
I have to tell you, i haven't been able to stop listening to this cd since i opened it a few months ago. I had not purchased any Hag until these remastered two-fers came out last year. The remastering is strong, his voice up in the forefront, all instrumments are clear as a bell. Not too much bass, but you'll know when these songs come up on your Ipod just how pristine and clear the remastering is. Every song on "Branded Man" is fantastic, and almost all the ones on "Fugitive" are just ad good. I personally love all the harmonies on "Branded Man" and hope all is later stuff is similar or expands on this premise. I dare you to get these songs out of your head! HIGHLY RECOMMENDED. .
Third and fourth LPs continue Haggard's streak
This pair of releases continues to mix the electric twang of Bakersfield with the emotional directness of Johnny Cash, but with songwriting that's both increasingly personal and sophisticated. Capitol's deluxe series of Haggard 2-fer reissues takes its second step with Haggard's third ("I'm a Lonesome Fugitive") and fourth ("Branded Man") solo albums, both from 1967. The doggedness Haggard displays in the face of romantic and personal dissolution adds metaphorical echoes to its autobiographical detail, resulting in songs that connect on first spin and reveal their layers over time.
"I'm a Lonesome Fugitive" was recorded with Haggard's band in transition. Guitarist Roy Nichols had left, and was replaced for these sessions by studio hotshots James Burton and Glen Campbell. Surprisingly, the loss of Nichols' signature licks isn't all that noticeable. Liz Anderson's title track (and Haggard's first #1 single) is the perfect opener, parlaying a fugitive's rootlessness into a metaphor for Haggard's continual run from romantic turmoil. Haggard's a drowning man, and whether it's the nostalgia of "My House of Memories," the loneliness of "Life in Prison," or the bottle of "Drink Up and Be Somebody," he's always struggling to keep from going under.
Haggard's debt to Bakersfield is heard in the Don Rich-styled harmony (provided by Glen Campbell) on "Mixed Up Mess of a Heart," and his favor for Jimmie Rodgers made its first appearance here with "My Rough and Rowdy Ways. " Bonus tracks include a tougher pre-Capitol version of "Life in Prison" (recorded for Tally, but unreleased at the time), and a more straight-forward take of "Someone Told My Story" culled from discarded 1966 album sessions.
"Branded Man" continued Haggard's roll. With Roy Nichols returned to the fold, the title track complements "I'm a Lonesome Fugitive" by showing that the parolee wears a scarlet mark as damning as the stripes of the escapee. Haggard offers several new originals, including the signature "I Threw Away the Rose," but he also takes on co-writers (Bakersfield legend Red Simpson for "You Don't Have Far to Go," and Bonnie Owens for "Gone Crazy"), and picks up songs from others, including a trio of tunes from Tommy Collins.
Collins' "Don't Get Married" is more hopeful in its longing than Haggard's typical songs of incarceration, and "I Made the Prison Band" actually feels pragmatic and light. Mexicali-styled guitars add a dramatic flair to several tunes, including the prisoner's romantic lament, "My Hands Are Tied. " The album's most recognizable cover, the funereal classic "Long Black Limousine," is fine, but surprisingly underwhelming in contrast to Haggard's originals. Extras include early takes of "I Threw Away the Rose" and "Loneliness is Eating Me Alive," each of which lack the delicacy of the final album takes.
"Lonesome Fugitive" is the slightly more satisfying spin, but the beauty of Capitol's reissue series is that you don't have to choose. These two-fers include both original album covers (one on each side of the booklet), color photo reproductions, and newly struck liner notes. Though Haggard fans are likely to have a lot of this material on previous single-CD reissues or box sets, the logical album pairings and remastered 24-bit sound make these sets especially attractive. The only real nits one could pick is the absence of session credits, master numbering and chart positioning, as well as a lack of detail on some of the bonus tracks. These are minor issues for such a stellar series of five-star reissues. [?2006 redtunictroll at hotmail dot com].
You can see a complete list of all Merle Haggard discography, or go back to the Merle Haggard tabs
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