John Lee Hooker - The Definitive Collection Audio CD
A fair review of the John Lee Hooker "The Definitive Collection" Audio CD. Please note that the below review is the views of the authors, and authors only. You can get a complete list of all
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Band: John Lee Hooker
Title: The Definitive Collection
Rating: 
Release Date: 2006-05-23
Media: Audio CD
Tracks: 1: Boogie Chillen 2: Hobo Blues 3: Crawlin' King Snake 4: John L's House Rent Boogie 5: Leave My Wife Alone 6: I'm In The Mood 7: Walkin' The Boogie 8: Sugar Mama 9: Dimples 10: Boom Boom 11: It Serves You Right To Suffer 12: One Bourbon, One Scotch, One Beer 13: The Waterfront 14: I'm Bad Like Jesse James 15: The Motor City Is Burning 16: Think Twice Before You Go 17: Backbiters And Syndicaters 18: Burning Hell 19: The Healer 20: I'm In The Mood
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A definitive collection worth having The man, the legend and his music. I assume you know of John Lee Hooker. So no need to go into detail of what should or should not constitute his best work. There must be 30 or 40 albums that have tried to accomplish that. But here, truly, is a definitive short-list, but broad spectrum of his work as can be put on one CD. From his early delta style blues to his raw and gritty Detroit Motor City and Chicago style blues, and finally to his later years reflecting influences from Canned Heat, Bonnie Raitt, Carlos Santana, Pete Townsend, Van Morrison and a host of artistic styles he would experiment with. Yet, he remained true to his blues roots. To say he influenced the British wave of young white blues artist of the mid to late 1960's is an understatement. His songs have been covered by Eric Clapton, The Yardbirds, The Animals, Cream, Spencer Davis Blues Explosion, Jimi Hendrix, ZZ Top, Led Zeppelin, George Thorogood, The J. Geils Band, Buddy Guy, The Doors, and a host of others. So here, we have his music condensed down to the more traditional blues, soulful blues, boogie woogie blues, and folk blues styles like "Boom, Boom", "Boogie Chillen" and "Dimples" along side more surprising later tunes like "The Waterfront", "The Healer", and "Motor City is Burning". This is as good a place to start if you are interested in learning about John Lee Hooker's repertoire. .
Nice Intro
I only bought it to have a copy of 'Boom Boom'. I was pretty J L Hooker stupid when I bought this. But this is pretty good stuff. The guy who is mainly into hard rock and heavy metal is finding this very good. There are a lot of good songs encompassing his career. If you are just beginning to delve into the blues, pick this up.
American music
I don't even have anything to say. I just finished another review and this CD popped up as a product I recently purchased for me now to review.
I took a look at the reviews below and can't add a single thing except just to express my heartfelt agreement with them and to recommend this CD to anybody that comes along. So read the reviews below and buy this amazing collection of legendary John Lee Hooker's music. .
Excellent overview
There are dozens of mediocre Hooker-compilations out there, many of which only cover his output for one particular label, but here you get almost all of the Hook's best and best-known songs, from his sparse 40s recording of "Boom Boom" to his modern-day collaborations with Santana and Bonnie Raitt. This is not everything you could ever want from John Lee Hooker, but if you are just looking for a single-disc compilation to get you going, you could do a lot worse than "The Definitive Collection". And Hip-O is a professional, credible label, too; the sound is excellent, and the liner notes are insightful and informative.
I wouldn't have chosen the stylistically challenged "The Healer" to represent the album of the same name, and a single CD can't quite hold all of John Lee Hooker's best songs, but this is still one of the finest compilations of its kind currently on the market. The sound is terrific, the liner notes are fine, and songs like "Dimples", "Boom Boom", "I'm Bad Like Jesse James", "It Serves You Right To Suffer", and "Think Twice Before You Go" are all part of the fabric of the blues.
In time you'll want to hear John Lee Hooker's extraordinarily gritty live album from the Café au Go Go, and ALL of his magnificent 50s and 60s waxings for the Vee-Jay label - available on the Tomato albums "The Early Years" vol. I and II - but everybody's gotta start somewhere. And this collection is quite as good as the other five-star, single-disc Hooker-compilation out there, Rhino's "The Very Best of John Lee Hooker", and while the Rhino label's rather more pricey two-disc "Ultimate Collection (1948-1990)" and the excellent new "50 Years"-anthology come a bit closer to actually being definitive, this is still a very, very good place to start. Perhaps even the best.
The King of the Boogie
Too many times so much essential material is left off, and the same predictable fare is churned out, that it seemed effortless and pointless for the most part. A lot of times these single disc collections try so hard to offer as much as possible the best of a certain artist. That isn't necessarily the case with someone like John Lee Hooker, whose career spanned some 40-50 years on a variety of more than 20 some labels like Modern, Chess, Impulse, Vee-Jay, ABC-BluesWay and so many others. That's where it becomes very problematic and debatable as to what counts and what doesn't. Every label in every tiny aspect of his career couldn't be represented, of course, so balance becomes an issue, too. Another thing is that a handful of these approach or are over 5 minutes in length. It may sound like this is very picky, but for a single CD, this is a rather noteworthy representation. Early classics like "Boogie Chillen" and "I'm in the Mood" are represented as well as timeless upbeat tunes like "Boom Boom" and "One Bourbon, One Scotch, One Beer" which is blues at its very best. The latter part fo his career is represented with his collaborations with Canned Heat in 1970, and Carlos Santana and Bonnie Raitt in 1988. Other than those mentoned, "Dimples", "I'm Bad Like Jesse James", and "Think Twice Before You Go" are also definitely worth checking out as well as the three final tracks featuring the collaborations. "The Healer" is the most different of the three, and has a slicked, synthesized Latin-tinged groove. Overall, a fair enough representation is made proving how John Lee Hooker was successful with each generation he played for and encountered during his mammoth career, and is still appreciated with many new fans and bands today.
You can see a complete list of all John Lee Hooker discography, or go back to the John Lee Hooker tabs. There is also a good guide on how to read guitar tabs here.