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Audio CD review:
Please note that the below review is the views of the authors, and authors only. You can get a complete list of all Paul Kelly reviews here, or go back to the Paul Kelly tabs.
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| Paul Kelly - Words & Music |
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Band: Paul Kelly Title: Words & Music Rating: Release Date: 19 May, 1998 Media: Audio CD Tracks: 1: Little Kings 2: I'll Be Your Lover 3: Nothing On My Mind 4: Words And Music 5: How To Make Gravy 6: Gutless Wonder 7: Tease Me 8: I'd Rather Go Blind 9: She Answers The Sun (Lazybones) 10: Beat Of Your Heart 11: It Started With A Kiss 12: Glory Be To God 13: Saturday Night And Sunday Morning 14: Charlie Owen's Slide Guitar 15: Melting |
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Customer Reviews Aussie from down under arrives at the top It starts with "Little Kings," possibly Kelly's best hit, and never dies down. Words and Music is an awsome CD. "Glory be to God" is a song that is bound to be hit once people start buying this CD. Paul Kelly and his band show that people really can put together a hit rock group from a bunch of unheard of musicians.
15 gems
An ambitious album of intelligence and wit This is not, however, a collection of comic songs or light weight pop; rather, here is a mature song writer who is able to find the humour in life despite, or maybe because of, it's darker side. It is full of "big subjects" - love, loss, sex, politics, growing up - but all rendered in subtle and original ways. These songs are full of the intimate, personal portraits that are Kelly's speciality (such as in How To Make Gravy), often containing deliciously humorous insights (Tease Me; I'd Rather Go Blind), sometimes spiced up with a certain undercurrent of suburban menace (Nothing On My Mind; Gutless Wonder). Throughout the album a wonderful way with words is exhibited (the subtle criticism inherent in the term little king; the lovely juxtaposition of clichés that makes them sound fresh again in I'll Be Your Lover). Musically the album moves effortlessly through rock, pop, bits of country and funk, and even hints of bluesy gospel on Glory Be To God (a track that would not be out of place on a Nick Cave album). It is full of magical musical touches embellishing the strong tunes - the bassline when it hits it's stride a minute into Melting; the persistent chant that opens Tease Me; the saxophone break on Gutless Wonder; Renee Geyer's almost orgasmic wail half-way through Beat Of Your Heart. And Kelly's vocal delivery is assured throughout, even adventurously exploring new territory on the wonderful opener Little Kings. This album is Paul Kelly working on a big canvas, and exhibits much of what makes his music so great. While not quite reaching the peak of his seminal work, 1986's Gossip, this is nevertheless an excellent album and perhaps more accessible to an international audience as it lacks the parochial references of most of Kelly's earlier work. This is the album that finally won Paul Kelly the well overdue award of best song-writer at the Australian music awards, and I recommend it to any fan of good music.
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