| Fretplay : Leadbelly tabs : CD reviews : Bourgeois Blues: Lead Belly Legacy, Vol. 2 | Search or browse tablatures: | |||
Audio CD review:
Please note that the below review is the views of the authors, and authors only. You can get a complete list of all Leadbelly reviews here, or go back to the Leadbelly tabs.
|
|||||||||||||||||||||||||
| Leadbelly - Bourgeois Blues: Lead Belly Legacy, Vol. 2 |
|
Band: Leadbelly Title: Bourgeois Blues: Lead Belly Legacy, Vol. 2 Rating: Release Date: 18 March, 1997 Media: Audio CD Tracks: 1: Fannin Street 2: Bourgeois Blues 3: Easy Rider 4: Alabama Bound 5: Don't You Love Your Daddy No More? 6: Gallis Pole 7: Leavin' Blues 8: Midnight Special 9: T.B. Blues 10: Linin' Track 11: Julie Ann Johnson 12: John Henry 13: Jim Crow Blues 14: Jim Crow #2 15: Good Morning Blues #2 16: Abraham Lincoln 17: Army Life 18: Hitler Song 19: Careless Love 20: Haul Away Joe 21: How Do You Know?/Don't Mind The Weather 22: Skip To My Lou 23: Red Bird 24: Out On The Western Plains 25: Cowboys Song 26: You Can't Mistreat Me 27: Diggin' My Potatoes (Big Bill Broonzy) 28: John Hardy |
|
Customer Reviews I don't wanna be mistreated by no bourgeoisie... In and out of prison from 1918 to 1934, he built up a vast repertoire that greatly impressed musicologist Alan Lomax. Lead Belly's thick and juicy 12-string guitar and soaring vocals kept belting out originals and classics right up until his death in 1949. But after recording in the 1930s in New York City, he again found himself in prison from 1939 to 1940. None of those recordings found any commercial success. Then in the 1940s he began to record for Moses Asch. This disc, the second volume of a three volume series, preserves highlights of these recordings. They were all made in the last decade of Lead Belly's life. And though the money never poured in his reputation exploded as he played numerous shows in venues and in his apartment in New York City. His solid standing gets confirmed by Woody Guthrie's 1946 laudatory essay included in the CD booklet. This collection includes some of Lead Belly's best known songs. "Fanning Street", named after a wild and dangerous street in Louisiana from Lead Belly's youth, starts off the collection with a bang. The hypnotic guitar playing alone leaves the brain mesmerized. Unfortunately, the spoken (and musical) introduction was cut, which leaves the song sounding a little truncated in this context (see "A Vision Shared" for the complete version). And "Bourgeois Blues" remains one of Lead Belly's signature songs. "This is the home of the brave, land of the free / I don't wanna be mistreated by no bourgeoisie". The rollicking "Gallis Pole" tells the story of a man facing the gallows. His father and mother bring silver and gold to "keep me from the gallis pole". But his "so called friend" just stops by to "see you hanging from the gallis pole". In the 1970s Led Zeppelin (on "Led Zeppelin III") recorded a version of this song in which the mother and father confess that they're too poor to bring silver and gold. Lead Belly helped popularize this song that had pervaded the folk scene for decades. "Midnight Special", also popularized by Lead Belly, was covered by Creedence Clearwater Revival in the 1960s. It was supposedly sung in prisons all over the south in the 1930s as a hymm of freedom. "Jim Crow Blues" (named after the infamous minstrel show performer) recounts experiences with racism in early and mid twentieth century america. Most telling is the line "it's a lot of Jim Crow in a moving picture show". Lead Belly once had moved to California to pursue a movie career, but felt shafted by the racism prevalent in the industry. And "Haul Away Joe" transforms an Irish sea shanty into a hanuting southern work song. The multitudinous topics and melodies on this disc pay homage to Lead Belly's true breadth as a performer. It includes songs about racism, Hitler, Abe Lincoln, tuberculosis ("T. B. Blues"), love gone bad ("Leavin' Blues", "Careless Love", "Don't You Love Your Daddy No More?"), songs for children ("Skip To My Lou" and "Red Bird"), a capella work songs ("Linin' Track"), songs about legends ("John Henry" and "John Hardy"), travel ("Alabama Bound"), and countless other themes. Lead Belly's deep and powerful voice emanates inexorably on every track. And his guitar playing remains nearly astonishing throughout. The sound quality does reflect the era before magnetic tape found wide use. Many of these recordings come from glass or aluminum acetates, some of which have dilapidated. But the quality never dips below unacceptable (see the "Archivist's Remarks" in the CD booklet for some fascinating history). Most of the songs ring very clear considering their some sixty years of age. This collection picks up right where the first volume "Where Did You Sleep Last Night?" leaves off. It provides futher testament as to why Lead Belly remains one of the most influential performers of the twentieth century.
Please... read... and than explore and listen... thanks...
2nd of 3 in Smithsonian's Lead Belly Legacy series
. You can see a complete list of all Leadbelly discography, or go back to the Leadbelly tabs |
| Navigation: |
|
-Fretplay home -Guitar tabs -Bass tabs -Fresh tabs Guitar lessons -How to read tabs -How to write tabs -Submit tabs -Link to us |
| Message forums: |
|
-The pit, General forum -Gear and accessories -Bands and artists -Guitar forum -Bass forum |
| Leadbelly menu: |
|
-Leadbelly tabs -Leadbelly discography -Leadbelly lyrics |