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The Best of Love

Love - The Best of Love Audio CD

A fair review of the Love "The Best of Love" Audio CD. Please note that the below review is the views of the authors, and authors only. You can get a complete list of all Love reviews here, or go back to the Love tabs.

Band: Love
Title: The Best of Love
Rating:

Release Date: 2003-03-11
Media: Audio CD

Tracks: 1: My Little Red Book 2: Can't Explain 3: Softly to Me 4: No Matter What You Do 5: Hey Joe 6: Signed D.C. 7: Seven & Seven Is 8: Stephanie Knows Who 9: Orange Skies 10: �Que Vida! 11: She Comes in Colors 12: Alone Again Or 13: Andmoreagain 14: Maybe the People Would Be the Times or Between Clark and Hilldale 15: Live and Let Live 16: You Set the Scene 17: Your Mind and We Belong Together 18: Laughing Stock 19: Singing Cowboy 20: Your Friend and Mine - Neil's Song 21: Robert Montgomery 22: Always See Your Face

Love rules
This album rocks! So cool! I love it!
If you like 60's rock this is it.

Terrific collection.

The more I listen to this album, the more I like it. Arthur Lee & Love were way ahead of the curve when it comes to 60's bands.
The sound quality is excellent and there are good liner notes.
This CD plus Love's magnum opus, "Forever Changes", will give you the best of this legendary group.

Love's best
Don't hesitate to buy this album!. This is a great album! I really liked it.

Genius Like No One Else
Web encyclopedia "Wikipedia" lists them in genres rock and roll," folk-rock. One of the most brilliant and iconoclastic bands in all of rock, "Love" (aka, "Arthur Lee and Love") has a unique sound that defies categorization. " Psychedelic rock," and Psych-Folk," all labels which are essentially accurate, but none of which, of course, encapsulates their sound and attitude. They're a paradoxical group, based in L. A. but with San Francisco sensibilities, remarkably angry but incredibly tender, destined for fortune but ending with fame (although within a relatively small circle).

Still, one is tempted to find some antecedents to their meandering mixture of punk, balladry, beach music, jazz, and the hodgepodge of styles and sounds that became known as "psychedelia. " A comparison with other groups yields a wine-tasting compendium of notes: Pre-dating them, I hear the loose, raucous, playful sound of the Kingsmen's 1965 recording of "Louie, Louie," the romantic lyricism, precious posturing, and baroque textures of Left Banke's "Pretty Ballerina (1966)," the Stones' 1967 "Something Happened to Me Yesterday" and "Dandelion," Donovan, and the mid-1960`s politics and experimentation of the Yardbirds. Contemporary sounds include the Stones (who apparently lifted some of the lyrics to "She Comes in Colors"), the Kinks, with their own fresh musical synthesis (Ray Davies would later produce one of Love's albums), the very electric guitar solos recalling Muddy Waters and Jimi Hendrix, and the humor, parody, and harmonies of the Turtles. (Arthur Lee produced a 1964 record with Hendrix on guitar, and Hendrix appeared on the group's 1970 "False Start" album). Obviously, this is not a comprehensive list, but it perhaps suggests the heterogeneity of their influences, producing a unique and varying collection of songs.

Probably their three most famous numbers are the punk-Neanderthal version of Burt Bacharach's (!) "Little Red Book," "Seven and Seven Is," also known as "the atom bomb song" because of its thunderous A-bomb closing, and an ultra-fast version of Billy Roberts' "Hey Joe" (most famously done by Hendrix). "Little Red Book" mocks the original, with a dominating and driving beat--anchored in the drums and bass--that prefigures Punk. Love's version of "Hey Joe" is sheer genius, the vocals break up the lyrics into nursery rhyme fragments, in ironic contrast to the homicidal, misogynistic lyrics ("I shot my old lady down").

While there are many facets to "Love," their romantic, free-spirited (but less well-known) songs contrast most heavily with the hits mentioned above. These songs don't have the easy structure that marked pop/rock music of the era, but drift in several directions--a little like Jefferson Airplane, but again, pretty hard to compare to anyone else. "Orange Sky" and "She Comes in Colors" are, respectively, an introspective ballad and a jazz-inflected number that--I hate to say it--seems hippie-like: ". . . My love, she comes in colors. . . you can tell her from the clothes she wears," unless it makes you think of Yardley, who (somewhat like the Stones) appropriated the color obsession to sell their products.

Lest the band seem too obscure or inaccessible, just listen to the twin songs of "Alone Again Or" and "And More Again. " These are as romantic as anything Bacharach wrote, especially the flamenco-tinged former, in which the band expresses a surprisingly powerful statement of love and idealism. The band creatively used wind instruments: The clarinet gave a floaty jazz feeling to several numbers, and the trumpet and sax supported the rhythm section and supplied solos. "Your Mind and We Belong Together" has a jangly "Byrds" guitar backing, a group that influenced Lee. "Laughing Stock" is an unusual self-referential song that somehow works, while "Your Friend and Mine--Neil's Song," is right out of "The Lovin' Spoonful. " "Robert Montgomery" features their deeply "electrified" sound with surprising tempo and chord changes, and outstanding guitar work.

A few more song notes: Fans will know that "From D. C. ," a relatively well-known and widely praised song, is about a former band member's bout with drugs, but the remarkable thing is how well the total sound conveys melancholy and yearning. "Can't Explain" is a rollicking sound that seems transplanted from mid-60's London and "Softly to Me" is an oddly endearing love song with awkward repetitions of the word "darling," and "Stephanie Knows Who" is an energetic, even wild kind of punk jazz. In summation, there can be no summation, because no band has ever approached their unique and wildly diverse style. These days we demand a specific identity from our bands--it's easier on our brains, and the commodification sells more records. While this was also true in the buoyant late-1960's days of "Love," the band managed to transcend these limits, and, for a brief time and for too small an audience, to triumph. Rhino Records compilation of their mostly 1967-68 material is an essential document of one of the greatest bands of that or any other era.

Best one stop buy for Love
Arthur Lee, the lead singer on most songs, is dead now and Bryan McClean, the lead singer on fewer songs, passed away before Arthur did. This is a terrific best of album, with most of the songs from 3 different Love albums. Sometimes the lyrics are childish and sometimes they are outlandish. But the instrumental backing is always good to great to greatly inspired. For folks who want to know what rock studio music was like in the 60s, this CD is a must. .

You can see a complete list of all Love discography, or go back to the Love tabs. There is also a good guide on how to read guitar tabs here.