Top 50, of all time
Some of the really world weary, misanthropic songs that would pervade 1975's Pour Down Like Silver, but there is a little bit more af a joyous atmosphere working here, despite songs like "The End of the Rainbow": "Life seems so rosy from the cradle/ but I'll be a friend, I'll tell you what's in store/ there's nothing at the end of the rainbow/ there's nothing to grow up for anymore. How could a man so young be so bitter? And how could it all sound so great, even so life-affirming? Not a misstep on the record, every song here is written and exists; these are not just words set to music, they have the quality of folksongs transmitted orally over generations. "
A true folksinger, Thompson is so at home in the genre that he is not even working within the genre, but has become it in a way. . . Linda Thompson has, in my opinon, one of the most affecting, if not strictly beautiful, voices I have ever heard. Listen to her on "Has He Got a Friend" where she begs for a date: "If you know someone who's graceful and wise/ doesn't mind girls who are clumsy and shy/ I don't mind going with someone who I've never seen. " Or on "Down Where the Drunkards Roll": "You could be a gambler who never drew a hand/ you could be Lord Jesus, all the world would understand/ down where the drunkards roll. " Her voice floors me, leaves me shaken with goosebumps. .
Love this CD
This album holds up VERY well. I'd never heard much Richard Thompson when he performed with Linda. The music is fun. The lyrics are gifted. Linda is a great singer!.
A Masterpiece
As a founder member of Fairport Convention he was the group on their first five albums. When Richard Thompson released this album, his first with his wife Linda, he had already a relatively long recording career behind him. His characteristic guitarplaying style can also be heard on Sandy Denny's early solo albums and he had released his own soloalbum "Henry the Human Fly" in 1972.
During his time with Fairport Convention Thompson matured a lot as a songwriter and many of the band's early favourites were either written or co-written by Thompson. His inspiration by traditional British music also became still more clear. Many of the songs on "Henry" and "I Want to See the Bright Lights Tonight" actually sound like they were traditional folk-songs.
His collaboration with Linda lasted for 8 years and resulted in 6 great albums. This their first is often regarded as the strongest with Richard's songwriting extraordinary inspired and varied, and his distictive voice blends beautifully with Linda's on these great songs.
The terrific opener "When I Get to the Border", sung by Richard, is catchy with optimistic lyrics. A little unsual for Thompson, whose lyrics often are dark and sad.
Equally catchy ( and optimistic ) is the title track which deserved to be hit beautifully sung by Linda.
Heartbreakingly beautiful is also the sad ballad "Withered and Died", sung by Linda in way that makes you think of her friend Sandy Denny.
The dark side of Richard's songwriting become apprent on songs like "Down Where the Drunkards Roll", "Has He Got a Friend For Me" and especially "The End of the Rainbow" . Even the catchy "We'll Sing Hallelujah" has some pretty dismal lyrics.
The budget for this album was supposedly very limited, but it does show anywhere. Great arrangements, crisp sound and best of all strong songwriting and palying from first track till the closer "The Great Valerio".
The bonus-tracks are 3 1975 live-recordings - nice to have but some may find that they disturb the very consistent feel of the original album, which I won't hesitate to call a masterpiece.
Desert Island Disc
My partner and I have over 4,000 CDs (all types of music), and if I could only keep 10 of them, I'd keep this one.
Strong, consistent music
In the year when glam rock was at its peak and punk godmother Patti Smith released her first angry single, Richard and Linda Thompspon put out this album of English folk music. Even for an album released in 1974, on the surface "I Want to See the Bright Lights Tonight" seems deeply unhip. Some of the songs, such as "Down Where the Drunkards Roll" or "Little Beggar Girl" are so deeply rooted in the Anglo-Celtic folk tradition that it would easy to imagine they date from the eighteenth century. And yet this is part of the strength of this remarkable album. Largely unswayed by the fashions of the moment, the Thompsons produced an album of beautifully crafted and performed folk and folk-rock songs which have stood the test of time.
This is not the kind of album that has one knock-out punch. Yes, "The Calvary Cross" and "End of the Rainbow" are especially strong tracks but really this album's greatest strength is its consistency. There is not a single weak track here. Another strength is its variety of approaches and styles. "I Want to See the Bright Lights Tonight" is a comparitively upbeat track. It is almost a rocker compared to some of the folkier arrangements. But then there are moody, haunting ballads like "The Great Valerio", which showcase Linda's exceptional voice. And some of the tracks showcase Richard's virtuosity on the electric guitar but, unlike so many mainstream seventies rock acts, never to excess.
This album will appeal to anyone who likes intelligently written and heartfelt music. It will no doubt still be around when a lot more faddish albums have dropped by the wayside.
You can see a complete list of all Richard & Linda Thompson discography, or go back to the Richard & Linda Thompson tabs
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