Guitar tabs of Come on come on by Carpenter mary-chapin. Play Come on come on in the style of Carpenter mary-chapin.

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Guitar tabs for

Carpenter Mary-chapin: Come on come on

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Here is the Guitar tabs for "Come on come on" by Carpenter Mary-chapin. To get the complete songlist of this band please visit the index for Carpenter mary-chapin tabs, bass tabs, chords and CD reviews.

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COME ON COME ON (Mary Chapin Carpenter) --------------------------------------- [This is mostly based on Mary Chapin's performance of the song on the TV show "Austin City Limits" in early 1993. Thanks to Julie Tissue for the start.] [I've written this tablature as if all six strings were played on every chord, but that isn't really accurate. I only wrote out the tab to show the rhythm and fingerings.] [Every strum notated here is a downstroke with the thumb (no pick, no fingernails). There are a few upstrokes in between the downstrokes, but I haven't shown those.] [Some possible names for the chords are at the end of the file. I didn't put chord names about the tab because it would just be confusing. Oh, and the lyrics aren't lined up with the rhythm...sorry.] [Actually in Bb; capo 3.] [Tuning: DADF#GD (yes, tune your B string down to G).] D |0-----0-0-----0-|0---0-0-0---0-0-|0-----0-0-----0-|0-----0-0---0-0-| G |0-----0-0-----0-|0---0-0-0---0-0-|2-----2-2-----2-|2-----2-2---2-2-| F#|1-----1-1-----1-|1---1-1-1---1-1-|0-----0-0-----0-|0-----0-0---0-0-| D |0-----0-0-----0-|0---0-0-0---0-0-|0-----0-0-----0-|0-----0-0---0-0-| A |2-----2-2-----2-|2---2-2-3---2-2-|0-----0-0-----0-|0-----0-0---0-0-| D |0-----0-0-----0-|0---0-0-0---0-0-|0-----0-0-----0-|0-----0-0---0-0-| ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . [intro] D |0---0-0-0---0-0-|0-----0-0---0-0-|0---0-0-0---0-0-|0-----0-0---0-0-| G |0---0-0-0---0-0-|2-----2-2---2-2-|0---0-0-0---0-0-|2-----2-2---2-2-| F#|1---1-1-1---1-1-|0-----0-0---0-0-|1---1-1-1---1-1-|0-----0-0---0-0-| D |0---0-0-0---0-0-|0-----0-0---0-0-|0---0-0-0---0-0-|0-----0-0---0-0-| A |2---2-2-3---2-2-|0-----0-0---0-0-|2---2-2-3---2-2-|0-----0-0---0-0-| D |0---0-0-0---0-0-|0-----0-0---0-0-|0---0-0-0---0-0-|0-----0-0---0-0-| ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . Some ... D |0---0-0-0---0-0-|0---0-0-0---0-0-|0-----0-0---0-0-|0---0-0-0---0-0-| G |0---0-0-0---0-0-|0---0-0-0---0-0-|0-----0-0---0-0-|0---0-0-0---0-0-| F#|6---6-6-6---6-6-|8---8-8-8---8-8-|3-----3-3---3-3-|3---3-3-3---3-3-| D |7---7-7-7---7-7-|9---9-9-9---9-9-|0-----0-0---0-0-|0---0-0-0---0-0-| A |7---7-7-7---7-7-|9---9-9-9---9-9-|5-----5-5---5-5-|5---5-5-5---5-5-| D |7---7-7-7---7-7-|9---9-9-9---9-9-|4-----4-4---4-4-|4---4-4-4---4-4-| ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . Some ... D |0---0-0-0---0-0-|0-----0-0---0-0-|0---0-0-0---0-0-|0-----0-0---0-0-| G |0---0-0-0---0-0-|2-----2-2---2-2-|0---0-0-0---0-0-|2-----2-2---2-2-| F#|1---1-1-1---1-1-|0-----0-0---0-0-|1---1-1-1---1-1-|0-----0-0---0-0-| D |0---0-0-0---0-0-|0-----0-0---0-0-|0---0-0-0---0-0-|0-----0-0---0-0-| A |2---2-2-3---2-2-|0-----0-0---0-0-|2---2-2-3---2-2-|0-----0-0---0-0-| D |0---0-0-0---0-0-|0-----0-0---0-0-|0---0-0-0---0-0-|0-----0-0---0-0-| ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . It's a .. D |0---0-0-0---0-0-|0---0-0-0---0-0-|0-----0-0-----0-|0---0-0-0---0-0-| G |0---0-0-0---0-0-|0---0-0-0---0-0-|0-----0-0-----0-|0---0-0-0---0-0-| F#|6---6-6-6---6-6-|8---8-8-8---8-8-|3-----3-3-----3-|3---3-3-1---0-0-| D |7---7-7-7---7-7-|9---9-9-9---9-9-|0-----0-0-----0-|0---0-0-0---0-0-| A |7---7-7-7---7-7-|9---9-9-9---9-9-|5-----5-5-----5-|5---5-5-2---2-2-| D |7---7-7-7---7-7-|9---9-9-9---9-9-|4-----4-4-----4-|4---4-4-0---0-0-| ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . On a ... D |0---0-0-----0-0-|0---0-0-0---0-0-|0---0-0-----0-0-|0---0-0-0---0-0-| G |0---0-0-----0-0-|2---2-2-0---0-0-|0---0-0-----0-0-|2---2-2-0---0-0-| F#|0---1-1-----1-1-|0---0-0-1---0-0-|0---1-1-----1-1-|0---0-0-1---0-0-| D |0---0-0-----0-0-|0---0-0-0---0-0-|0---0-0-----0-0-|0---0-0-0---0-0-| A |3---3-3-----3-3-|0---0-0-2---2-2-|3---3-3-----3-3-|0---0-0-2---2-2-| D |2---2-2-----2-2-|0---0-0-0---0-0-|2---2-2-----2-2-|0---0-0-0---0-0-| ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . Come on .. D |0---0-0-----0-0-|0---0-0-0---0-0-|0---0-0-----0-0-|0---0-0-0---0-0-| G |0---0-0-----0-0-|2---2-2-0---0-0-|0---0-0-----0-0-|2---2-2-0---0-0-| F#|0---1-1-----1-1-|0---0-0-1---0-0-|0---1-1-----1-1-|0---0-0-1---0-0-| D |0---0-0-----0-0-|0---0-0-0---0-0-|0---0-0-----0-0-|0---0-0-0---0-0-| A |3---3-3-----3-3-|0---0-0-2---2-2-|3---3-3-----3-3-|0---0-0-2---2-2-| D |2---2-2-----2-2-|0---0-0-0---0-0-|2---2-2-----2-2-|0---0-0-0---0-0-| ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . Come on ... D |0-----0-0-----0-|0---0-0-0---0-0-|0---0-0-0-----0-|0-----0-0---0-0-| G |0-----0-0-----0-|0---0-0-0---0-0-|2---2-2-2-----2-|2-----2-2---2-2-| F#|1-----1-1-----1-|1---1-1-1---1-1-|0---0-0-0-----0-|0-----0-0---0-0-| D |0-----0-0-----0-|0---0-0-0---0-0-|0---0-0-0-----0-|0-----0-0---0-0-| A |2-----2-2-----2-|2---2-2-3---2-2-|0---0-0-0-----0-|0-----0-0---0-0-| D |0-----0-0-----0-|0---0-0-0---0-0-|0---0-0-0-----0-|0-----0-0---0-0-| ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . [instrumental] It's a .. In 1948, .. Your .. Now .. Come on .. Come on .. D |0---0-0-0---0-0-|0-----0-0---0-0-|0-----0-0-----0-|0-----0-0---0-0-| G |0---0-0-0---0-0-|0-----0-0---0-0-|0-----0-0-----0-|0-----0-0---0-0-| F#|1---1-1-1---1-1-|1-----1-1---1-1-|0-----0-0-----0-|0-----0-0---0-0-| D |0---0-0-0---0-0-|0-----0-0---0-0-|2-----2-2-----2-|2-----2-2---2-2-| A |3---3-3-3---3-3-|3-----3-3---3-3-|2-----2-2-----2-|2-----2-2---2-2-| D |2---2-2-2---2-2-|2-----2-2---2-2-|2-----2-2-----2-|2-----2-2---2-2-| ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . It's ... D |0-----0-0---0-0-|0---0-0-0---0-0-|0-----0-0-----0-|0---0-0-0---0-0-| G |0-----0-0---0-0-|0---0-0-0---0-0-|2-----2-2-----2-|2---2-2-0---0-0-| F#|1-----1-1---1-1-|1---1-1-1---1-1-|0-----0-0-----0-|0---0-0-1---0-0-| D |0-----0-0---0-0-|0---0-0-0---0-0-|0-----0-0-----0-|0---0-0-0---0-0-| A |3-----3-3---3-3-|3---3-3-3---3-3-|0-----0-0-----0-|0---0-0-2---2-2-| D |2-----2-2---2-2-|2---2-2-2---2-2-|0-----0-0-----0-|0---0-0-0---0-0-| ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . It's ... [instrumental solo: same chords as the chorus, except the last measure is 000020 throughout (no 020100-020000). See tablature below for the lead guitar part.] And tonight .. We rode ..[skip two measures] (road) Come .. Come on .. Come on .. Come on .. Come on come on [instrumental ending: same chords as chorus, but end on G (020100). Again, tab for the lead guitar part is at the end of the file.] CHORDS: 020100 = G/D 030100 = C(9)/D 000020 = D 777600 = Am7(4) 999800 = Gmaj7/B 450300 = D(4)/F# 020000 = Gmaj7/D 230000 = C(9)addF#/E 230100 = C(9)/E 222000 = Em9 [yuck!] LEAD GUITAR: In the recorded version of this song, the piano kind of dominates the guitar, especially in the solo. However, the version that I've transcribed here is from a 1993 tape of "Austin City Limits", because John Jennings' lead guitar part is more interesting on "ACL" than on the album. And since I have both video and audio for this song, it's probably the first time I'm 100% sure that I've got the fingerings right! Jennings' guitar, like MCC's, has a capo on the third fret, but his is in standard tuning. The chord names above the tab are rough guides, since the real chords have horrible names. The slashes are slides up (/) and down (\), and the equal signs (=) are pull-offs. Obviously, the "02," "242," and "353" sequences are hammer-ons and pull-offs. "Triplet" or "tri" denote triplets. In the beginning of each phrase (the part that sounds like "come on come on," put some vibrato on the 3rd fret of the B string. Arpeggiate the triple stops (places where you play three strings at once). Guitar solo: E --------------------------------| B ---3----3----3-----3-----3----3-| lead-in: G ----------------0-----------0---| D 0----2----4-----------0---------| A triplet-triplet-triplet---------| E --------------------------------| ^ . ^ . ^ . ^ . C D G E --------------------------------|--------------------------------| B --------3---3-----------0-------|--------------------------------| G ----0-----------------0-----2---|------------0-2-242-0---------0-| D 4-------------------0-----------|----------4-----tri---------0---| A --------------------------------|--------------------------------| E --------------------------------|--------------------------------| ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . C D G E --------------------------------|--------------------------------| B --------3---3----\--1---0--(3)--|--------------------------------| G ----0---------------0-------2---|----0-------0-----------------0-| D 4-------------------2-------0---|--------4-------------------0---| A --------------------------------|----------------------0-2=3-----| E --------------------------------|--------------------3-----------| ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . C D G E --------------------------------|--------------------------------| B --------3---3----\--1---0--(3)--|--------------------3-----------| G ----0---------------0-------2---|------------0-2-420---------0---| D 4-------------------2-------0---|----------4-----tri-----------0-| A --------------------------------|--------------------------------| E --------------------------------|--------------------------------| ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . C D E --------------------------------|--------------------------------|---- B --------3---3----\--1-----0-----|--------------------------------|---- G ----0---------------0-----0-----|2-------------------------------|---- D 4-------------------2-----0-----|0-------------------------------<5>-- A --------------------------------|0----------------------------harmonic E --------------------------------|--------------------------------|---- ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ And tonight... Ending: E --------------------------------| B --------------------------------| lead-in: G ------------------------0---0=2-| D ----------------------4---4-----| A --------------------5-----------| E --------------------------------| ^ . ^ . ^ . ^ . C * D * G E ----------------------------2/3-|353\2---------------------------| B --3-3-3-/-8-8-8-------\---5-----|--------------1-1=3-0---------3-| G 4-------------------------------|------------2---------------0---| D ----------------------- * = slide left finger -------------0-----| A --------------------------- but pick string ---------------------| E --------------------------------|--------------------------------| ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . C D G E ----------0-0-------------------|--------------------------------| B 3---1-1-------------------0-1---|--------------------------------| G 0---0-0-----------------2-----2-|------------20--0-------------0-| D 4---2-2-------------------------|4-------------4-------------0---| A --------------------------------|------------tri---------2=3-----| E --------------------------------|--------------------------------| ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . C D G E --------------------------------|--------------------------------| B --------3---3----\--1---0--(3)--|--------------------3-----------| G ----0---------------0-------2---|------------0=2-420---------0---| D(4)------------------2-------0---|----------4-----tri-----------0-| A --------------------------------|--------5-----------------------| E --------------------------------|--------------------------------| ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . C D G E --------------------------------|--------------------------------| B --------3---3----\--1---0--(3)--|--------------------------------| G ----0---------------0-------2---|------------0---0---------------| D 4-------------------2-------0---|------------0--(0)--------------| A --------------------------------|------------2--(2)--------------| E --------------------------------|--------------------------------| ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . - Adam Schneider, schneider@pobox.com



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